Building automation is the auto centralized control of a building's heating, ventilation and air conditioning, lighting and other systems through a building management system or building automation system BAS. The goals of building automation are improved occupant comfort, economical operation of building systems, and reduction in energy intake and operating costs, and improved life cycle of utilities.
Building automation is an example of a circulated control system the computer networking of electronic devices intended to monitor and control the mechanical, security, fire and flood safety, lighting particularly emergency lighting, HVAC and humidity control and ventilation systems in a building.
BAS core functionality keeps building weather inside a particular range, gives light to rooms depending on an occupancy schedule in the lack of overt switches to the opposite, monitors performance and device failures in all systems, and gives malfunction alarms to building maintenance staff. A BAS should decrease building energy and maintenance costs in comparison to a non controlled building. Most commercial, institutional, and industrial buildings built after 2000 include a BAS. Many older buildings have been retrofitted with a new BAS, usually financed through energy and insurance savings, and other savings related with pre emptive maintenance and fault detection.
A building controlled by a BAS is frequently called an intelligent building, "smart building", or if a residence a "smart home". Commercial and industrial buildings have historically relied on robust proven protocols like BACnet while proprietary protocols like X-10 were used in homes. Recent IEEE standards notably IEEE 802.15.4, IEEE 1901 and IEEE 1905.1, IEEE 802.21, IEEE 802.11ac, IEEE 802.3at and consortia efforts like nVoy which verifies IEEE 1905.1 compliance or QIVICON provided a standards based foundation for heterogeneous networking of many devices on many physical networks for diverse reasons, and quality of service and failover guarantees proper to support human health and safety. therefore, commercial, industrial, military and other institutional users now use systems that differ from home systems usually in scale. See home automation for more on entry level systems, nVoy, 1905.1, and the big proprietary vendors who implement or resist this trend to standards integration.
Nearly all multi story green buildings are intended to accommodate a BAS for the energy, air and water conservation characteristics. Electrical device demand answer is a common function of a BAS, as is the more sophisticated ventilation and humidity monitoring obliged of "tight" insulated buildings. Most green buildings also use as many low power DC devices as possible, usually integrated with power over Ethernet wiring, so by meaning generally available to a BAS through the Ethernet connectivity. a passivhaus design meant to consume no net energy whatsoever will usually require a BAS to manage heat catch, shading and venting, and scheduling device use.
Most building automation networks comprise of a main and secondary bus which connect high level controllers usually specific for building automation, but can be generic programmable logic controllers with lower level controllers, input/output devices and a user interface aka a human interface device. ASHRAE's open protocol BACnet or the open protocol LonTalk identify how most such devices interoperate. Modern systems use SNMP to track events, building on decades of history with SNMP based protocols in the computer networking world.
Physical connectivity between devices was historically offered by dedicated optical fiber, ethernet, ARCNET, RS-232, RS-485 or a low bandwidth special function wireless network. Modern systems rely on standards based multi protocol heterogeneous networking like that particular in the IEEE 1905.1 standard and verified by the nVoy auditing mark. These accommodate usually only IP based networking but can make use of any present wiring, and also integrate powerline networking over AC circuits, power over Ethernet low power DC circuits, high bandwidth wireless networks like LTE and IEEE 802.11n and IEEE 802.11ac and frequently integrate these using the building specific wireless mesh open standard ZigBee.
Proprietary hardware leads the controller market. Each company has controllers for particular applications. Some are intended with restricted controls and no interoperability, like simple packaged roof top units for HVAC. Software will usually not integrate well with packages from other vendors. Cooperation is at the Zigbee/BACnet/LonTalk level only.
Current systems supply interoperability at the application level, allowing users to mix and match devices from different manufacturers, and to offer integration with other matched building control systems. These usually rely on SNMP, long used for this same function to integrate diverse computer networking devices into one coherent network.
Controllers are generally small, purpose built computers with input and output potential. These controllers come in a range of sizes and potential to control devices usually found in buildings, and to control sub networks of controllers.
Inputs let a controller to read temperature, humidity, pressure, current flow, air flow, and other essential factors. The outputs let the controller to send command and control signals to slave devices, and to other parts of the system. Inputs and outputs may be either digital or analog. Digital outputs are on occasion called discrete based on maker.
Controllers used for building automation may be grouped in three categories: programmable logic controllers PLCs, system/network controllers, and terminal unit controllers. but an extra device may also exist to integrate third party systems e.G. A stand alone AC system into a central building automation system.
Terminal unit controllers typically are suited for control of lighting or simpler devices like a package rooftop unit, heat pump, VAV box, fan coil, etc. The installer usually selects one of the available pre programmed personalities best suited to the device to be controlled, and doesn't have to create new control logic.
Lighting may be turned on, off, or dimmed with a building automation or lighting control system depending on time, or on occupancy sensor, photosensors and timers. One common example is to turn the lights in a space on for a half hour since the last motion has been sensed. A photocell placed outside a building can sense darkness, and the time, and modulate lights in outer offices and the parking lot.
Lighting is a good candidate for demand answer, with many control systems the capability to dim or turn off lights to take benefit of DR incentives and savings.
In newer buildings, the lighting control may be depending on the field bus Digital Addressable Lighting Interface DALI. Lamps with DALI ballasts are completely dimmable. DALI may also detect lamp and ballast failures on DALI luminaires and signals failures.
Wednesday, March 1, 2017
Useful ways
That's it in terms of
applications and apps,
at least for now, but
Adobe wants users to
see Creative Cloud as
far more than just
software. This is where
the digital hub and
cloud based handling
come in, providing
members with a range
of behind online
services, like access
to 20GB of Creative
Cloud storage as part
of your subscription
non members can
register and receive
2GB free of charge.
At the moment,
online file management is pretty basic you
have to manually upload and download files in
the browser but greater control and desktop
integration are promised. In the meantime, it's
a useful way of sharing files between desktops
and essential for syncing files between desktop
CS applications and tablet Touch apps. You can
also decide to share hosted files with others,
which enables workmates and customers to
view your CS file in their browser and make
general comments on them. This sharing is not a
substitute for PDF based collaboration and
document review via Acrobat.Com, but then
Acrobat X Pro is included in the package.
For web designers and developers, Creative
Cloud offers some extra services.
The 1st is the capability to host up to five websites
on Adobe's Business Catalyst servers. Business
Catalyst integration is built into both
Dreamweaver and Muse, making it incredibly
easy to create and update sites. also,
Business Catalyst offers different advanced
potential like online tracking and
reporting, e commerce handling and email
campaigns. if or not you plan on using
Adobe's hosting, Creative Cloud members can
take benefit of Adobe's TypeKit system to
increase the typography of their sites by deploying
a big range of high quality web fonts.
Most thrilling of all, and hot off the press
at the time of writing, is the inclusion of
subscriptions to Digital Publishing Suite, Single
Edition DPS SE and PhoneGap Build. The
former means that designers can take advantage
of the new folio building potential in
InDesign CS6 to create rich digital publications
for the iPad with totally no coding required
presumably Android and Windows eight support
will follow. The latter means that developers
can create a mobile app with HTML and
JavaScript inside Dreamweaver, and have
this automatically cloud compiled prepared for
deployment to all mobile platforms from iOS
and Android through to Windows Phone,
BlackBerry, webOS and Symbian. What's
particularly impressive is that, while delivering
just one app of the standalone variant of DPS
SE to the App Store costs no less than $395,
your continuing Creative Cloud membership lets
you publish an unlimited number of apps at
no extra cost. Produce a couple of iPad
apps a year and you have effectively paid for your
yearly Creative Cloud subscription.
Touch apps to explore new ideas, awardwinning,
market defining CS6 applications with
exclusive additions and updates, online storage
and hosting that allow you to share your work both
internally and externally, and integration with
the Digital Publishing and PhoneGap services to
help get your work onto the crucial new mobile
platforms. The Creative Cloud really delivers
on its promise of a digital hub where you can
explore, create, share, and deliver your work,
and at less than a 1 a day for present users, it
looks nearly too good to be true. but, it's
worth thinking a bit more seriously 1st.
New Creative Cloud applications like Adobe Muse have lots of features to offer
The Adobe Application Manager lists all the Creative Cloud apps.
For a start, it is irritating that, yet again, UK users are subjected to a punitive 1 for $1 exchange rate, the respective US annual pricing is only $50 per month and $30 for present users. After the 1st year's discount, the yearly cost will rise from 328 to 563. More to the point, Adobe has not given any price guarantees, and without any serious high end competition, what is to prevent the company from ratcheting up prices in the years ahead? it is a free world. if the price does rise you could generally vote with your feet, but here is the rub what could that leave you with? The FAQ makes it pretty clear: When you cancel a month to month or yearly membership you'll not have access to the CS applications, other desktop software, and services that are parts of Creative Cloud. but, if you saved your work to your computer, you'll continue to can access those files. it is nice to have it in writing that Adobe promises not to destroy your data files if you leave, but not all that reassuring, what good are the files if you not have the applications? If you are an present CS user you may be able to generally fall back on your last standalone copy, but what happens if you have been making heavy use of some of the more recent features?
For a start, it is irritating that, yet again, UK users are subjected to a punitive 1 for $1 exchange rate, the respective US annual pricing is only $50 per month and $30 for present users. After the 1st year's discount, the yearly cost will rise from 328 to 563. More to the point, Adobe has not given any price guarantees, and without any serious high end competition, what is to prevent the company from ratcheting up prices in the years ahead? it is a free world. if the price does rise you could generally vote with your feet, but here is the rub what could that leave you with? The FAQ makes it pretty clear: When you cancel a month to month or yearly membership you'll not have access to the CS applications, other desktop software, and services that are parts of Creative Cloud. but, if you saved your work to your computer, you'll continue to can access those files. it is nice to have it in writing that Adobe promises not to destroy your data files if you leave, but not all that reassuring, what good are the files if you not have the applications? If you are an present CS user you may be able to generally fall back on your last standalone copy, but what happens if you have been making heavy use of some of the more recent features?
Adobe promises
Adobe's Creative Suite CS is
now going through a period of
basic change. In previous
columns I have focused on this
seismic shift away from Flash towards universal
HTML5 and device specific native apps, but
equally important is Adobe's new software
and business model called the Creative Cloud,
which promises users ongoing membership
of a digital hub where you may be able to explore, create,
share, and deliver your work. we have heard this
kind of cloud based revolution hype before,
which nearly invariably proves a crashing
disappointment frequently literally. So is Creative
Cloud any different?
The buzzword cloud may propose that
Adobe has set up a big server farm to
stream its CS applications straight to end users,
which is available from any internet enabled
device, but it has not. Creative Cloud
remains established around the present native CS
applications installed locally on your main
computer, plus one backup copy though a
small advance is that one of your installations
may now be Windows and the other Mac.
The fact that it is not true cloud based SaaS is a
good thing, since it means our applications will
work just as before and access will not rely on
a working internet connection.
That said, you will have to connect at least
once every 30 days for Adobe to check your
subscription position, as Creative Cloud is
generally a reworked variant of the software
subscription model that Adobe presented with
CS5.5, but without the flexibility of renting
individual applications. Before you dismiss
Creative Cloud, you may want to check the prices.
The monthly rental for a full year's subscription
to the CS5.5 Master Collection costs 116, but
to subscribe to Creative Cloud costs 47 inc
VAT. While the CS5.5 subscription offered no
savings to present CS users, Adobe now
offers registered holders of any CS3-or later
application the 1st year
of Creative Cloud
membership for only 27
inc VAT per month.
This pricing places a
different slant on
Creative Cloud. Think
of the CS5.5 episode
as an experimental way to check the feasibility
of subscriptions, but this is the real thing and
its violent pricing and advertising
show that Adobe is dedicated to
making it work. it seems as although Adobe
expects the most of CS users to become
Creative Cloud members sooner or later. So
what can you expect if you sign up?
The Creative Cloud experience starts with the
new central Adobe Application Manager, which
manages your installations. Open this and
you are presented with a clean and simple dialog
listing all the Creative Cloud applications,
starting with the 14 that make up the full
Master Collection suite. Not all of these will be
relevant to your interests, and you don't
have to install those that you will not use. As
Adobe puts it: think of Creative Cloud as a
magic toolbox that gives you the right creative
tool the moment you need it. That might
sound a little over the top, but the creative
power it offers as well as web design and
development, video production, commercial
print, interactive design for smartphones and
tablets, photo editing and vector example
is pretty surprising.
As a standalone suite, the current Master
Collection represents pretty good value for
money at 2,645, but Creative Cloud
membership gives you access to all these
award winning apps for a small percentage of that
cost. Positive first user reviews demonstrate that many
new members can not quite believe that
effectively bought an access all areas pass to
Willy Wonka's factory for such a knockdown
price. This is all well and good, but Adobe is
determined to make Creative Cloud far more
than just a new way of paying for access to its
Master Collection.
to start with, it gives an wider
range of applications, starting with the inclusion
of Lightroom for quickly managing and editing
your digital photos. The major beneficiaries are
web designers and developers who get access
to two extra applications: Adobe Muse,
which allows you to create advanced websites with
totally no HTML coding expertise, and the
preview variant of Adobe Edge, which lets you
create Flash style animations in HTML5 I plan
to look at both these applications in
more detail in a future column.
Creative Cloud members also automatically get access not only to Adobe's promised yearly round of variant x.5 releases, but to a uninterrupted stream of exclusive new functionality. as an example, in early September important capabilities were added to Illustrator, Muse and Edge, a couple of weeks afterward, new features as well as simplified handling of HTML5 objects, audio, video and animation were added to Dreamweaver. All this new functionality is welcome, but more so is the sense that you are to get an better deal for your money.
Creative Cloud members also automatically get access not only to Adobe's promised yearly round of variant x.5 releases, but to a uninterrupted stream of exclusive new functionality. as an example, in early September important capabilities were added to Illustrator, Muse and Edge, a couple of weeks afterward, new features as well as simplified handling of HTML5 objects, audio, video and animation were added to Dreamweaver. All this new functionality is welcome, but more so is the sense that you are to get an better deal for your money.
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