Wednesday, March 1, 2017

Beautiful technology

Building automation is the auto centralized control of a building's heating, ventilation and air conditioning, lighting and other systems through a building management system or building automation system BAS. The goals of building automation are improved occupant comfort, economical operation of building systems, and reduction in energy intake and operating costs, and improved life cycle of utilities.
Building automation is an example of a circulated control system the computer networking of electronic devices intended to monitor and control the mechanical, security, fire and flood safety, lighting particularly emergency lighting, HVAC and humidity control and ventilation systems in a building.
BAS core functionality keeps building weather inside a particular range, gives light to rooms depending on an occupancy schedule in the lack of overt switches to the opposite, monitors performance and device failures in all systems, and gives malfunction alarms to building maintenance staff. A BAS should decrease building energy and maintenance costs in comparison to a non controlled building. Most commercial, institutional, and industrial buildings built after 2000 include a BAS. Many older buildings have been retrofitted with a new BAS, usually financed through energy and insurance savings, and other savings related with pre emptive maintenance and fault detection.

A building controlled by a BAS is frequently called an intelligent building, "smart building", or if a residence a "smart home". Commercial and industrial buildings have historically relied on robust proven protocols like BACnet while proprietary protocols like X-10 were used in homes. Recent IEEE standards notably IEEE 802.15.4, IEEE 1901 and IEEE 1905.1, IEEE 802.21, IEEE 802.11ac, IEEE 802.3at and consortia efforts like nVoy which verifies IEEE 1905.1 compliance or QIVICON provided a standards based foundation for heterogeneous networking of many devices on many physical networks for diverse reasons, and quality of service and failover guarantees proper to support human health and safety. therefore, commercial, industrial, military and other institutional users now use systems that differ from home systems usually in scale. See home automation for more on entry level systems, nVoy, 1905.1, and the big proprietary vendors who implement or resist this trend to standards integration.
Nearly all multi story green buildings are intended to accommodate a BAS for the energy, air and water conservation characteristics. Electrical device demand answer is a common function of a BAS, as is the more sophisticated ventilation and humidity monitoring obliged of "tight" insulated buildings. Most green buildings also use as many low power DC devices as possible, usually integrated with power over Ethernet wiring, so by meaning generally available to a BAS through the Ethernet connectivity. a passivhaus design meant to consume no net energy whatsoever will usually require a BAS to manage heat catch, shading and venting, and scheduling device use. Most building automation networks comprise of a main and secondary bus which connect high level controllers usually specific for building automation, but can be generic programmable logic controllers with lower level controllers, input/output devices and a user interface aka a human interface device. ASHRAE's open protocol BACnet or the open protocol LonTalk identify how most such devices interoperate. Modern systems use SNMP to track events, building on decades of history with SNMP based protocols in the computer networking world. Physical connectivity between devices was historically offered by dedicated optical fiber, ethernet, ARCNET, RS-232, RS-485 or a low bandwidth special function wireless network. Modern systems rely on standards based multi protocol heterogeneous networking like that particular in the IEEE 1905.1 standard and verified by the nVoy auditing mark. These accommodate usually only IP based networking but can make use of any present wiring, and also integrate powerline networking over AC circuits, power over Ethernet low power DC circuits, high bandwidth wireless networks like LTE and IEEE 802.11n and IEEE 802.11ac and frequently integrate these using the building specific wireless mesh open standard ZigBee. Proprietary hardware leads the controller market. Each company has controllers for particular applications. Some are intended with restricted controls and no interoperability, like simple packaged roof top units for HVAC. Software will usually not integrate well with packages from other vendors. Cooperation is at the Zigbee/BACnet/LonTalk level only. Current systems supply interoperability at the application level, allowing users to mix and match devices from different manufacturers, and to offer integration with other matched building control systems. These usually rely on SNMP, long used for this same function to integrate diverse computer networking devices into one coherent network. Controllers are generally small, purpose built computers with input and output potential. These controllers come in a range of sizes and potential to control devices usually found in buildings, and to control sub networks of controllers.
Inputs let a controller to read temperature, humidity, pressure, current flow, air flow, and other essential factors. The outputs let the controller to send command and control signals to slave devices, and to other parts of the system. Inputs and outputs may be either digital or analog. Digital outputs are on occasion called discrete based on maker. Controllers used for building automation may be grouped in three categories: programmable logic controllers PLCs, system/network controllers, and terminal unit controllers. but an extra device may also exist to integrate third party systems e.G. A stand alone AC system into a central building automation system. Terminal unit controllers typically are suited for control of lighting or simpler devices like a package rooftop unit, heat pump, VAV box, fan coil, etc. The installer usually selects one of the available pre programmed personalities best suited to the device to be controlled, and doesn't have to create new control logic.
Lighting may be turned on, off, or dimmed with a building automation or lighting control system depending on time, or on occupancy sensor, photosensors and timers. One common example is to turn the lights in a space on for a half hour since the last motion has been sensed. A photocell placed outside a building can sense darkness, and the time, and modulate lights in outer offices and the parking lot. Lighting is a good candidate for demand answer, with many control systems the capability to dim or turn off lights to take benefit of DR incentives and savings. In newer buildings, the lighting control may be depending on the field bus Digital Addressable Lighting Interface DALI. Lamps with DALI ballasts are completely dimmable. DALI may also detect lamp and ballast failures on DALI luminaires and signals failures.

Useful ways

That's it in terms of applications and apps, at least for now, but Adobe wants users to see Creative Cloud as far more than just software. This is where the digital hub and cloud based handling come in, providing members with a range of behind online services, like access to 20GB of Creative Cloud storage as part of your subscription non members can register and receive 2GB free of charge. At the moment, online file management is pretty basic you have to manually upload and download files in the browser but greater control and desktop integration are promised. In the meantime, it's a useful way of sharing files between desktops and essential for syncing files between desktop CS applications and tablet Touch apps. You can also decide to share hosted files with others, which enables workmates and customers to view your CS file in their browser and make general comments on them. This sharing is not a substitute for PDF based collaboration and document review via Acrobat.Com, but then Acrobat X Pro is included in the package. For web designers and developers, Creative Cloud offers some extra services. The 1st is the capability to host up to five websites on Adobe's Business Catalyst servers. Business Catalyst integration is built into both Dreamweaver and Muse, making it incredibly easy to create and update sites. also, Business Catalyst offers different advanced potential like online tracking and reporting, e commerce handling and email campaigns. if or not you plan on using Adobe's hosting, Creative Cloud members can take benefit of Adobe's TypeKit system to increase the typography of their sites by deploying a big range of high quality web fonts. Most thrilling of all, and hot off the press at the time of writing, is the inclusion of subscriptions to Digital Publishing Suite, Single Edition DPS SE and PhoneGap Build. The former means that designers can take advantage of the new folio building potential in InDesign CS6 to create rich digital publications for the iPad with totally no coding required presumably Android and Windows eight support will follow. The latter means that developers can create a mobile app with HTML and JavaScript inside Dreamweaver, and have this automatically cloud compiled prepared for deployment to all mobile platforms from iOS and Android through to Windows Phone, BlackBerry, webOS and Symbian. What's particularly impressive is that, while delivering just one app of the standalone variant of DPS SE to the App Store costs no less than $395, your continuing Creative Cloud membership lets you publish an unlimited number of apps at no extra cost. Produce a couple of iPad apps a year and you have effectively paid for your yearly Creative Cloud subscription. Touch apps to explore new ideas, awardwinning, market defining CS6 applications with exclusive additions and updates, online storage and hosting that allow you to share your work both internally and externally, and integration with the Digital Publishing and PhoneGap services to help get your work onto the crucial new mobile platforms. The Creative Cloud really delivers on its promise of a digital hub where you can explore, create, share, and deliver your work, and at less than a 1 a day for present users, it looks nearly too good to be true. but, it's worth thinking a bit more seriously 1st. New Creative Cloud applications like Adobe Muse have lots of features to offer The Adobe Application Manager lists all the Creative Cloud apps.

For a start, it is irritating that, yet again, UK users are subjected to a punitive 1 for $1 exchange rate, the respective US annual pricing is only $50 per month and $30 for present users. After the 1st year's discount, the yearly cost will rise from 328 to 563. More to the point, Adobe has not given any price guarantees, and without any serious high end competition, what is to prevent the company from ratcheting up prices in the years ahead? it is a free world. if the price does rise you could generally vote with your feet, but here is the rub what could that leave you with? The FAQ makes it pretty clear: When you cancel a month to month or yearly membership you'll not have access to the CS applications, other desktop software, and services that are parts of Creative Cloud. but, if you saved your work to your computer, you'll continue to can access those files. it is nice to have it in writing that Adobe promises not to destroy your data files if you leave, but not all that reassuring, what good are the files if you not have the applications? If you are an present CS user you may be able to generally fall back on your last standalone copy, but what happens if you have been making heavy use of some of the more recent features?

Adobe promises

Adobe's Creative Suite CS is now going through a period of basic change. In previous columns I have focused on this seismic shift away from Flash towards universal HTML5 and device specific native apps, but equally important is Adobe's new software and business model called the Creative Cloud, which promises users ongoing membership of a digital hub where you may be able to explore, create, share, and deliver your work. we have heard this kind of cloud based revolution hype before, which nearly invariably proves a crashing disappointment frequently literally. So is Creative Cloud any different? The buzzword cloud may propose that Adobe has set up a big server farm to stream its CS applications straight to end users, which is available from any internet enabled device, but it has not. Creative Cloud remains established around the present native CS applications installed locally on your main computer, plus one backup copy though a small advance is that one of your installations may now be Windows and the other Mac. The fact that it is not true cloud based SaaS is a good thing, since it means our applications will work just as before and access will not rely on a working internet connection. That said, you will have to connect at least once every 30 days for Adobe to check your subscription position, as Creative Cloud is generally a reworked variant of the software subscription model that Adobe presented with CS5.5, but without the flexibility of renting individual applications. Before you dismiss Creative Cloud, you may want to check the prices. The monthly rental for a full year's subscription to the CS5.5 Master Collection costs 116, but to subscribe to Creative Cloud costs 47 inc VAT. While the CS5.5 subscription offered no savings to present CS users, Adobe now offers registered holders of any CS3-or later application the 1st year of Creative Cloud membership for only 27 inc VAT per month. This pricing places a different slant on Creative Cloud. Think of the CS5.5 episode as an experimental way to check the feasibility of subscriptions, but this is the real thing and its violent pricing and advertising show that Adobe is dedicated to making it work. it seems as although Adobe expects the most of CS users to become Creative Cloud members sooner or later. So what can you expect if you sign up? The Creative Cloud experience starts with the new central Adobe Application Manager, which manages your installations. Open this and you are presented with a clean and simple dialog listing all the Creative Cloud applications, starting with the 14 that make up the full Master Collection suite. Not all of these will be relevant to your interests, and you don't have to install those that you will not use. As Adobe puts it: think of Creative Cloud as a magic toolbox that gives you the right creative tool the moment you need it. That might sound a little over the top, but the creative power it offers as well as web design and development, video production, commercial print, interactive design for smartphones and tablets, photo editing and vector example is pretty surprising. As a standalone suite, the current Master Collection represents pretty good value for money at 2,645, but Creative Cloud membership gives you access to all these award winning apps for a small percentage of that cost. Positive first user reviews demonstrate that many new members can not quite believe that effectively bought an access all areas pass to Willy Wonka's factory for such a knockdown price. This is all well and good, but Adobe is determined to make Creative Cloud far more than just a new way of paying for access to its Master Collection. to start with, it gives an wider range of applications, starting with the inclusion of Lightroom for quickly managing and editing your digital photos. The major beneficiaries are web designers and developers who get access to two extra applications: Adobe Muse, which allows you to create advanced websites with totally no HTML coding expertise, and the preview variant of Adobe Edge, which lets you create Flash style animations in HTML5 I plan to look at both these applications in more detail in a future column.

Creative Cloud members also automatically get access not only to Adobe's promised yearly round of variant x.5 releases, but to a uninterrupted stream of exclusive new functionality. as an example, in early September important capabilities were added to Illustrator, Muse and Edge, a couple of weeks afterward, new features as well as simplified handling of HTML5 objects, audio, video and animation were added to Dreamweaver. All this new functionality is welcome, but more so is the sense that you are to get an better deal for your money.